Many hearings later, the Madras High Court delivered its verdict recently. With so many parties involved in creating music, many grey areas remain. Whoever performs Ilayaraja’s music pays the IPRS in consultation with his lawyer, which settles his dues. Tamil film producers sell music rights to music companies who work with the IPRS. In return, the IPRS would collect a fee for every musical performance and distribute the money equally between songwriters and the owner (publisher) after deducting a service fee. In India, songwriters and their publishers would assign or transfer to an organisation, such as the Indian Performing Right Society (IPRS), their right to authorise the public performance of their songs.
#SPB ILAYARAJA SONGS REGISTRATION#
The period for registration granted to a copyright society is five years and it can be renewed before expiry of this period or at the end of it. The business of providing licence for any dramatic, artistic, musical or literary work incorporated in cinematic or sound recording form should be carried out only through a copyright society duly registered under this Act. When a person becomes a member of national copyright society, her work is expected to be kept under better vigilance.Ĭollection of all the royalties for the usage of the work becomes easier. It is not practical for every author or owner to keep a track of all the uses of their work. These changes include mandatory royalty-sharing provisions, statutory licensing regime for broadcasters, a new scheme for copyright societies, a safe harbour provision for internet intermediaries, etc.Ĭopyright societies are formed to collectively administer the works of authors and owners of such works. The Copyright (Amendment) Act, 2012, brought in sweeping changes to the existing Copyright Act, 1957.
#SPB ILAYARAJA SONGS TORRENT#
In most cases, such claims lead to a torrent of confusion and litigation. You can find everything you want to find in it, with almost every stakeholder finding clauses and rules that justify her motive. They say the Indian copyright law is a sticky subject. The composer may be entitled to his share of the royalty. Performers have their own copyrights as per law. Many copyright lawyers felt that Ilayaraja’s position was untenable. Everybody was confused about who owned the song. This created a huge controversy, and it was time for the Tamil music industry to discuss how royalties should be shared between musicians, lyricists and singers. SPB had to stop performing songs composed by Ilayaraja.
There was a wave of shock when he served a legal notice on singer SP Balasubrahmanyam (SPB), who has given a huge number of hits with the composer when he was performing concerts in the US. The composer also filed cases against karaoke apps, TV, FM channels, film director Shankar (of 2.0 fame) and whoever he thought had wronged him. He managed to get injunctions against several companies from using his music. They had sold the music rights to other companies illegally. The Echo Recording Company, with which producers of various films had entered into agreements, had not paid him royalty. In 2010, he lodged a complaint with the Chennai police that a private firm had commercially exploited his music without his knowledge.
His complaint is that he has not received his rightful dues and has been cheated over royalty payments. The composer has been highly litigious in the past few years, fighting for the rights over his music. He continues to be worshipped by his fans, who are legion, and who refer to him as the maestro. He brought freshness into film music, provided hits constantly till he slowed down with the arrival of AR Rahman and a slew of new composers. He is possibly the world’s most prolific composer, having composed over 7,000 songs, provided film scores for more than 1,000 films, and performed in more than 20,000 concerts. Ilayaraja came into the Tamil film industry in 1976, and became its demigod.
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